Included as extras on the DVD of LA GRANDE ILLUSION are two interesting shorts by the director Jean Renoir. The first is a version of Hans Andersen's tale "The Little Match Girl". LA PETITE MARCHANDE D'ALLUMETES (Rating ***) was co-directed by Renoir in 1928 with Jean Tedesco. Following the plot of Andersen's story the film features a long special effects sequence where Karen, the little match girl dreams that toys come to life and she falls in love with a toy soldier and is pursued through the clouds by death in the form of a hussar. The second film is the surreal short SUR UN DE CHARLESTON (Rating **) in which, in the year 2028, an African explorer (played in minstrel makeup by black performer Johnny Huggins) sets out to explore Paris which has become a decaying city populated by white savages. He lands his sphere like flying machine and is greeted by a white girl and her pet ape. She proceeds to teach him the Charleston which he sees as a sign of the decline of European civilisation and believes is a prelude to her eating him! Other reviews have commented that Renoir's wife Catherine Hessling, who stars in both films, was a poor actress and a hopeless dancer. Personally I found her appealing and charming in both films. To add to the surrealism of the frenetic dancing in this silent musical there is no musical soundtrack.Tuesday, 30 October 2007
JEAN RENOIR SILENTS (1927/28)
Included as extras on the DVD of LA GRANDE ILLUSION are two interesting shorts by the director Jean Renoir. The first is a version of Hans Andersen's tale "The Little Match Girl". LA PETITE MARCHANDE D'ALLUMETES (Rating ***) was co-directed by Renoir in 1928 with Jean Tedesco. Following the plot of Andersen's story the film features a long special effects sequence where Karen, the little match girl dreams that toys come to life and she falls in love with a toy soldier and is pursued through the clouds by death in the form of a hussar. The second film is the surreal short SUR UN DE CHARLESTON (Rating **) in which, in the year 2028, an African explorer (played in minstrel makeup by black performer Johnny Huggins) sets out to explore Paris which has become a decaying city populated by white savages. He lands his sphere like flying machine and is greeted by a white girl and her pet ape. She proceeds to teach him the Charleston which he sees as a sign of the decline of European civilisation and believes is a prelude to her eating him! Other reviews have commented that Renoir's wife Catherine Hessling, who stars in both films, was a poor actress and a hopeless dancer. Personally I found her appealing and charming in both films. To add to the surrealism of the frenetic dancing in this silent musical there is no musical soundtrack.
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